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Although his photographs were based

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แก้ไขครั้งสุดท้ายโดย mostakimseo09 เมื่อ 2022-9-26 13:35

Provoke photographers added new visual layers to their photographs. The use of highly contrasted films and darkroom treatments that accentuated deep shadows and highlights began to make for a less iconic grammar understood in its mimetic sense. That is to say it was a photograph that was ever further away from mimesis from resemblance ever closer to illustration on a real scene the camera and the film altered the scene in such a way that they began to form a new version an authentic photographic reality.

Today when a fan applies a filter on Instagram he is e-commerce photo editing stripping his image of iconicity that is by adding poeticizations and dramatizations he takes it more towards the field of illustration as we said than photography. One of the roots of this proceeding was in the radical aesthetics of Provoke . And there was an underlying reason the magazine's manifesto promulgated the generation of a new language without words but even more so the proposal of new ideas. There was of course an aesthetic intention and strategy but what gave it a particular depth and the strength to influence it for decades was that beneath the appearance lay a deep layer of meaning.



Perhaps today the Instagram fan only thinks that their images look pretty but for the Provoke photographers there was a deep sense that made them stand out from reality from that traditional function of registry documentary photography so rooted in Japanese photographers of the prewar. ShiAnne Shakes explains that In Provoke it was not about antilanguage but confronting the word in the way that the students protesting towards the end of the sixties in Japan were not antiacademy but were in a position that confronted the intellectual sphere.   

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